However, the forested areas aren't very accurate to any movement. The outer gardens and assortment of pottery are equally elaborately ornamented which invoke French aspects of the ostentatious Rococo.
The grand hall and foyer use this same principle to create an epic sense of scale. The main entrance is a perfect example of this with the reflection pond out front and the stairs guiding the eye to rows of colonnades that disappear into the back. That is to say, if one could force the eye to move in ways that would make an impact, you would do it, at least predominantly in Italy. The ideas motivating the Baroque period centered around movement. However, one can extrapolate a style from some key elements and ideas surrounding the architectural movements, and why it is Baroque. The architecture is quite ambiguous and borrows from several eras hundreds of years apart probably because historical and geographical accuracy were of little concern during the production of the original film in the late 1940s. However, the white motif was common throughout the surviving photos available.
At some point in the process, the silhouette began to grow probably to emphasis the visual contrast. When creating the castle, the goal was to create a castle of dreams that Cinderella could fall in love with. Her use of vibrant colors and amorphous globs offered a dreamy escapism that was reflected perfectly in the King's Castle. She had previously created concept art for The Three Caballeros and later helped in the creation of Peter Pan. Artist Mary Blair is responsible for the romantic style in Disney's post-war films.
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